Greetings to all of you around the world! This virus sure has made our world seem a whole lot smaller, while we are experiencing similar things in response to various restrictions that affect our daily lives, some of us more than others. I’m not going to say much more about Covid-19, because it is getting so much attention as it is, even eclipsing all the issues that were important before – issues that are still there under the current crisis.
So, that said, I’m finding it difficult to keep myself focused on what I was originally determined to paint for my upcoming solo exhibition for this November. Titled, “One World: Land, Sea & Air,” it is an exhibition of art with a message on endangered species and spaces around the world. I usually have goal posts such as group exhibitions and the like that help me finish paintings along the way. However, with all the cancellations of shows and other opportunities, I have found myself struggling with what I should be focusing on – maybe there is a more important message…
I wonder how much our world will change as a result of how we respond to this “crisis.” In many places where there have been lock-downs, there have been noticeable changes in pollution levels, but I don’t think that is going to last (too many variables, money and power being huge factors). But as much as I care about endangered animals (all animals, in fact), I also care about humankind. Far from endangered, yet we live with so many ongoing national and world issues that can at any moment threaten our continued existence. These issues are still there under the surface tensions of the worldwide Covid-19 threat.
Maybe my message should not be solely about endangered species and spaces… Maybe it’s more about the One World we share, the One World that is all we have, and the legacy we leave to the future generations of this One World.
So much to think about… but the painting must go on. More to come!
This is a recently finished painting I have showing at my home gallery until the time comes for my November exhibition, if public galleries will be open by then.
The Barn Owl is endangered in Canada. At first glance, this looks like a regular wildlife scene, but a closer look tells more… This is art with a message, with the destruction of habitat and the species represented by the cracking in the bark that is also spreading into the side of the owl. Its talons grip the branch that is in danger of breaking away from the tree. The snow is accumulating. “Don’t Let Me Fade Away” is mixed media on a 18” x 36” gallery wood panel.
A video with close-up zoom can be seen here.
Stay safe and healthy, everyone!
I’m excited to announce that my book, “My Backyard Is Full of Life,” has been published! It is available on Amazon in print and eBook formats. I also have a limited number of print copies on hand and for sale at my art studio.
I wrote this book many years ago, but I finally made time to finish the illustrations. They are intended to look like the main character, 11yo Rachel, drew them herself for her nature journal.
This is a book for parents, grandparents, and teachers to read to children ages 7 and up, and it should be preread for children who are highly sensitive to nature’s surprises. This would be great as an introduction to a science unit, or cross-curricular activity, for grades 3 to 5. It is also intended for children who can read independently, who appreciate a few illustrations (about one/chapter), and who don’t always want a long read. In fact, it’s only about 50 pages long, so it’s a story for one sitting. Nature lovers, young and old, will learn that nature isn’t always predictable (sometimes it is less scary when we try to understand), and also that we can – and should – do our part to take care of our world, starting with our own backyard! We can all make a difference!
As promised, I’m sharing a finished piece (finally) that I started back in February with intentions of entering it into the spring members’ show. My other two pieces took too much of my available time, I guess. This one is much smaller (8″ x 8″), but I wanted to do the subject justice, since I consider these creatures to be amongst the most awe-inspiring in their beauty and power, contained within such tiny bodies.
“Ruby” is the title of my latest painting of a ruby-throated hummingbird, which is hovering in front of a hibiscus flower and about to sip its fill of the flower’s nectar.
About a month ago, when the hummingbirds returned to my backyard, I remembered my nearly completed piece. When I finally devoted some time to focus on the final steps involved, it took only a few hours to add the finishing touches of painting and the sealing coat, divided over a couple of days to allow for needed drying time.
As you can see, because of the glossy surface, it is very difficult to get the desired quality of photograph to show this piece online. I have uploaded one taken from an angle to show the details with less glare. In person, the viewing is much easier. 🙂
I hope you like this handsome fella,
inspired by the sweet visitors to my backyard!
My “Phoenix Rising to New Life” painting is a very personal piece, as I’ve always felt like a phoenix rising from the ashes.
Since the phoenix is mythological, I took the liberty of depicting a more peaceful bird to represent new life. Its magical lift and effortless flight promote an appreciation for its confidence and grace, even while it is vulnerable during this stage of renewal.
If you have ever felt like a phoenix rising from the ashes, then you will see a lot of symbolism. The level of the lake is flat, much like the flatline of a heart monitor. The rising elevations of the mountains hint at the power and strength of the new life, versus the flatline.
There is fog on the water, signifying the morning of a new day. The fog also acts as a cover for the phoenix, as it seeks a safe direction to start its journey.
Of the 4 tail feathers, two are peacock-like, one of which resembles a human eye. This eye was not meant to be the all-seeing eye of God (or perhaps I would have placed it more within the triangular area of the mountain). Instead, it is a human eye, which serves to remind us of where we have been and what we have learned, so that we can take part willingly in the transformational process of renewal.
The phoenix was a Christian symbol for resurrection in the time of the early church. The leaves on the tree occur in sets of three, pointing to the triune God. Therefore, it is fitting that the tree is in the foreground and that it stands out somewhat 3D from the rest of the painting. It also shelters the phoenix somewhat, and serves as a marker of its complete departure from its past.
Meanwhile, its old body lies in death, which is represented by the rocks in the lower right corner of the painting. It is a human body, with female form, lying in the position which it fell in death. But it wasn’t all for nothing. There are already spring flowers bursting from the fertile ash in the crevices of the rock, indicating that we leave a legacy that helps others to learn from the past and look forward to a better future.